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Тема: Современные композиторы

              
  1. #1

    По умолчанию Современные композиторы

    Новые имена - какие из них можно назвать ярким событием последних лет?

  • #2

    По умолчанию Re: Современные композиторы

    Цитата Сообщение от Romka
    Новые имена - какие из них можно назвать ярким событием последних лет?
    Замечательный вопрос!

    Только для начала нужно разобраться в формулировках.

    Современные композиторы=новых имена=молодые композиторы.
    Тут,к сожалению большая напряженка.
    Это если считать молодыми тех,кому до 30.

    А вот тем,кому 30+/- 5-там есть просто замечательные композиторы.

    См.мой шорт-лист далее.

    Чуть ниже-шорт-лист композиторов постарше,но тех кто щас активно творит.

  • #3

    По умолчанию

    Возраст и степень популярности, собственно, не имеют значения. Интересуюсь именно личными симпатиями. Ну и, действительно, новыми именами, разумеется...

  • #4

    По умолчанию

    Одна из лидирующих композиторских школ ныне,как это не парадоксально-финская.Именно из Suomi происходят 3 самых любопытных на мой {и не только мой} взгляд автора современного мира.

    Kaija Saariaho

    The Finnish composer Kaija Saariaho (born 1952) has been living and working in Paris since 1982. She studied composition under Paavo Heininen at the Sibelius Academy and later at the Musikhochschule in Freiburg with Brian Ferneyhough and Klaus Huber, receiving her diploma there in 1983.

    In 1982 she attended courses in computer music at IRCAM in Paris, since when the computer has been an important element of her composing technique.

    In 1986 Kaija Saariaho was awarded the Kranichsteiner Preis at the new music summer courses in Darmstadt, and in 1988 the Prix Italia, for her work Stilleben.

    In 1989 Stilleben and Io were awarded the Ars Electronica Prize. Her works Verblendungen (orchestra and tape, 1982-84), and Lichtbogen (ensemble and electronics, 1985-96) established her at the forefront of international contemporary composition. Further commissions led to, amongst other works, Nymphéa (1987) for string quartet and electronics (a commission from the Lincoln Center for the Kronos Quartet), Io (1986-87) commissioned by IRCAM for the Ensemble Intercontemporain, and two linked orchestral works Du Cristal and ...à la fumée premiered in 1990 and 1991 both in Helsinki and Los Angeles. Saariaho has also taken part in a number of multimedia productions such as the full-length ballet Maa (1991) and a pan-European collaborative project to produce a CD-ROM Prisma about her work.

    More recent works include a violin concerto, Graal Théâtre, for Gidon Kremer premiered at the 1995 BBC Proms and two pieces for Dawn Upshaw: an orchestral song cycle, Château de l'âme, premiered at the 1996 Salzburg Festival, and a solo song cycle Lonh for soprano and electronics, premiered at the 1996 Wien Modern Festival. Lonh was awarded the Nordic Music Prize in 2000. Most recently Saariaho has completed a major work for chorus and orchestra, Oltra mar, which was premiered by the New York Philharmonic and Kurt Masur on 11th November 1999, as part of their millennium series of commissions.
    These last three projects point to Kaija Saariaho's next major work:
    her first opera, L'amour de loin. A co-commission of the Salzburg Festival and Théâtre du Châtelet and co-production with the Santa Fe Opera, L'amour de loinis based on La Vida breve of Jaufre Rudel, Prince of Blaye, one of the first great troubadours of the12th century. The libretto has been written by the French- Lebanese author Amin Maalouf. L'amour de loin was premiered on 15 August 2000 at the Salzburg Festival, directed by Peter Sellars, conducted by Kent Nagano, with Dawn Upshaw, Dagmar Peckova and Dwayne Croft in the principal roles. Performances in France take place in 2001 and in Santa Fe in 2002.


    www.saariaho.org/

    Среди сочинений г-жи Saariaho особенно рекомендую "L'ale du Songe" для флейты с оркестром и оперу "Любовь издалека".

    Дискография сочинений г-жи Saariaho:
    www.petals.org/disco.htm

  • #5

    По умолчанию

    Magnus Lindberg

    After studying at the Sibelius Academy in his native Finland, Lindberg studied privately with Gérard Grisey and Vinko Globokar in Paris and attended courses given by Franco Donatoni (Siena) and Brian Ferneyhough (Darmstadt).
    If Magnus Lindberg had an Opus 1, it would be Quintetto dell’Estate (1979), which shows a depiction of drama through gesture that is still highly relevant to his work today. A further breakthrough is marked by Action-Situation-Signification (1982), the first work in which he turned towards the technique of musique concrète. This work is also important because it ultimately led to the founding (with Esa-Pekka Salonen) of Toimii - an ensemble dedicated to experimentation in composition - which became a laboratory for developing many of Lindberg's subsequent ideas.

    Kraft (1983-85), in essence a concerto for the members of Toimii and orchestra, sees the distillation of these experiments and together with Ur (1986) shows Lindberg exploring further the processing of conventional sound with electronic devices.

    In the 1990s, pieces such as Marea (1990), the Piano Concerto (1990-94), Corrente (1992), Corrente II (1992) and Coyote Blues (1993) have been less concerned with the use of electronics (although the composer still uses computers as a compositional aid) and show Lindberg putting a stronger emphasis on the harmonic structure of his music. June 1994 saw the triumphant premiere in Tokyo of the major new orchestral work Aura - in memoriam Witold Lutoslawski, a commission from the Suntory International Program for Music Composition, and in June 1995 his Arena was the test piece for the first International Sibelius Conductor's Competition in Helsinki. In 1995 he was the featured composer at the Aldeburgh Festival and in 1996 he was Artistic Director of the South Bank Centre's Meltdown Festival. In 1997 he was featured at the Ars Musica Festival in Brussels and the Strasbourg Musica Festival where his two largest works Kraft and Aura received their French Premieres.

    Recent works include Engine (1996), a commission from the London Sinfonietta, Arena II (1996) for sinfonietta, and Related Rocks (1997), an IRCAM commission for electronics, 2 pianos and percussion.

    Among the many prizes his music has won are the Prix Italia (1986), the UNESCO Rostrum (1986), the Nordic Music Prize (198 and the Royal Philharmonic Society Prize for large-scale composition (1992).

    Magnus Lindberg's music is available on the Finlandia, Ondine and Adès labels.

  • #6

    По умолчанию

    Toru Takemitsu

    Toru Takemitsu's work as a composer, teacher, and auther has established new bridges between east and west. A true multimedia artist, his music is regularly featured in Takemitsu festivals around the world and has been commissioned and performed by orchestras including the Boston Symphony, New York Philharmonic, San Francisco Symphony Orchestra and others. His best-known films scores are for classics of Japanese cinema such as Woman of the Dunes, Kwaidan and Ran.
    Takemitsu is an inspiring teacher and musical collaborator. He has been guest composer or composer-in-residence at the Canberra Spring Festival, the California Institute of Technology, Toronto's New Music Concerts, Berliner Festwochen, Colorado Musical Festival, Tanglewood Festival, Banff Centre, Aldeburgh Festival and many others. He has also lectured at Harvard, Boston, Yale and other universities.
    In 1951, Takemitsu and several other composers, painters, performers and poets organized the Experimental Workshop for collaboration in mixed media. The group created new work that combined elements of traditional Japanese music and modern music. Studying modern western music brought him to a unique recognition of Japanese culture and led to the development of his own personal and idiomatic language, which fuses oriental and western musical gestures. Thriving on this blend of influences, Takemitsu established the "Music Today" series in Tokyo, which creates opportunities for performers and commposers of contemporary music from around the world to work together and exchange ideas.
    Takemitsu's music is known for its preoccupation with timbre and texture and for its silence. He has said that "(I compose to) find my own existence, and through that, to feel my relationship to other human beings." His earliest large work, Requiem for String Orchestra (1957), was heard in 1959 by Igor Stravinsky, who declared it to be a masterpiece. Aaron Copland, following a visit to Tokyo in 1966, made the following enthusiastic statement about the music of Takemitsu: "I consider him to be one of the outstanding composers of our time"..
    Takemitsu's prodigious output (much of which has been recorded) includes work for symphony orchestras, choirs, chamber ensembles, traditional Japanese gagaku orchestra and electronics. He has also written extensively on Japanese cinema, produced his own documentary on Antonio Gaudi, and designed the "Space Theatre" for the World's Fair in Osaka in 1970.

  • #7

  • #8

    По умолчанию Третий замечательный финский композитор

    Perhaps more than any other conductor in the world, Esa-Pekka Salonen successfully bridges the past and the future of classical music, as well as the various worlds in which it thrives in the present moment. His most recent recordings include an Oscar® winning film score (The Red Violin), a collection of music by the 20th century Mexican composer Revueltas (Sensemay&aacute, a prize-winning series of the music of Ligeti, as well as music of Mahler (Das Lied von der Erde with Plácido Domingo) and Shostakovich (Piano Concertos Nos.1 and 2 with
    Yefim Bronfman).

    Диск музыки Салонена:

    www.sonyclassical.com/music/89158/index.html

  • #9

    По умолчанию

    Esa-Pekka Salonen, the tenth conductor to head the Los Angeles Philharmonic, began his tenth season as Music Director in October 2001.

    He made his American debut conducting the Los Angeles Philharmonic in November 1984 and has conducted the orchestra every season since. Salonen signed an exclusive recording contract with Sony Classical in 1985, and he has since built an extensive and remarkable catalogue of recordings for the label, principally featuring music of the 20th century. His latest release is his first for Sony Classical as composer as well as conductor – LA Variations (SK 8915, featuring the title work, which celebrates the virtuosity of the Los Angeles Philharmonic, and four other pieces.

    Salonen’s extensive discography includes award-winning recordings of the music of Bartók, Dallapiccola, Debussy, Lutoslawski, Mahler, Messaien, Nielsen, Prokofiev, Rachmaninoff, Sibelius, Stravinsky and Takemitsu, among others. Salonen also conducted composer John Corigliano’s Oscar-winning score for Sony Classical’s best-selling soundtrack of the film The Red Violin.

    In the last decade, Salonen’s tenure at the Los Angeles Philharmonic has been highlighted by a strong commitment to new music. His activities with the orchestra have included world premieres of new works by composers John Adams, Bernard Rands, Rodion Shchedrin, Steven Stucky and Salonen himself, critically acclaimed festivals of music by Ligeti and Stravinsky, and appearances at the Ojai Festival.

    During the 2001-2002 concert season, Salonen will conduct 12 weeks of subscription concerts with the Philharmonic, followed by a two-week tour of Japan in May 2002. In August and September 2002 they return to Europe for a three-week tour of summer festivals. In January 2001, Salonen returned to his Philharmonic post following a one-year composing sabbatical. New Salonen works premiered during 2000 include Mania (a cello concerto) and Dichotomie (a two-movement work for solo piano).

    Mania was given its world premiere by the Ensemble Avanti! in Porvoo, Finland. Dichotomie, written for pianist Gloria Cheng, premiered at a Green Umbrella New Music Concert in Los Angeles.

    Salonen has led the Philharmonic in eight critically celebrated international tours since 1992. Before assuming the post of Music Director in the fall of 1992, he and the Philharmonic enjoyed praise from the international press during their month-long residency at the 1992 Salzburg Festival. In 1993, Salonen conducted his first European appearances as the Philharmonic’s Music Director at the Lucerne Easter Festival (Switzerland). Three tours in 1994 took them to Japan and Taiwan, to six European festivals and to Mexico. They were in residence at the Théâtre du Châtelet in Paris for a series of opera and concert performances in the fall of 1996, and returned to Europe for a successful visit to the Canary Islands Music Festival and Spain in early 1997. They undertook their last tour of European festivals in the summer of 1998, returned to New York City’s Lincoln Center for critically acclaimed concerts in March 1999 and March of 2001, and performed two concerts in Mexico City in September of 1999.

    Salonen’s most recent Sony Classical recording is a disc featuring the recording premiere of three works by the acclaimed Finnish composer Kaija Saariaho (SK 60817), featuring performances by violinist Gidon Kremer and soprano Dawn Upshaw. For the Bach bicentennial in 2000, Salonen and the Los Angeles Philharmonic recorded a critically acclaimed disc of orchestral transcriptions of works by J.S. Bach (SK 89012). Other recent recordings from the conductor include Mahler’s Das Lied von der Erde with Bo Skovhus and Plácido Domingo (SK 60646) and the Sibelius and Goldmark violin concertos with Joshua Bell (SK 65949). Other recent projects include a recording of John Corigliano's Oscar-winning original score, featuring Joshua Bell, for the film The Red Violin (SK 63010), Shostakovich's Piano Concertos Nos. 1 and 2 with Yefim Bronfman (SK 60677), and an album of music by Mexican composer Silvestre Revueltas, titled Sensemayá (SK 60676). For international release outside the U.S., Salonen and the Philharmonia have recorded for Sony Classical a disc of the music of Finnish composer Magnus Lindberg (SK 89810).

    Concentrating on the twentieth-century orchestral repertoire, Salonen and the Los Angeles Philharmonic have built a catalogue of recordings that includes Györgi Ligeti’s recent opera Le Grand Macabre (S2K 62312), Bartók's Concerto for Orchestra and Music for Strings, Percussion and Celesta and an all-Debussy disc that includes La Mer and Prélude à l'après-midi d'un faune. They were recipients of a 1996 Grammy Award for their Sony Classical recording, with pianist Yefim Bronfman, of the Bartók piano concertos, and their critically acclaimed recording of the film music of Bernard Herrmann was nominated for a 1997 Grammy.

    Esa-Pekka Salonen was born in Helsinki in 1958. After studies at the Sibelius Academy in Finland and with private teachers Franco Donatoni and Niccolò Castiglioni in Italy, he made his conducting debut with the Finnish Radio Symphony Orchestra in 1979. He has been one of the world’s most sought-after conductors since his debut in London with the Philharmonia Orchestra in September 1983. Since then he has appeared with major orchestras throughout Europe and North America, serving as principal guest conductor of the Philharmonia of London from 1985 to 1994, and as principal conductor of the Swedish Radio Symphony Orchestra from 1985 to 1995. Salonen served as artistic director of the Helsinki Festival in 1995-96; he also served as Music Director of the 1999 Ojai Festival.

    In July 1993, Salonen became the first conductor ever to receive the Siena Prize, awarded annually by the Accademia Chigiana. He has also been awarded several medals: the Officier de l’Ordre des Arts et Lettres from France, the Literis & Artibus from the King of Sweden, and the Pro Finlandia from the Finnish government. In addition, he has twice been named Conductor of the Year by the Royal Philharmonic Society in London
    .

  • #10

    По умолчанию

    Один из моих любимых авторов-Wolfgang Rihm.Очень страшная,подавляющая настроение музыка.Но-очень хорошо.

    Rihm, Wolfgang (b. March 13, 1952, Karlsruhe). German composer of highly acclaimed stage, orchestral, chamber, choral, vocal, and piano works that have received performances all over the world.

    Prof. Rihm studied simultaneously at a Gymnasium for the liberal arts and at the Musikhochschule Karlsruhe (composition under Eugen Werner Velte, 1968-72). He then studied with Karlheinz Stockhausen in Cologne, 1972-73 and with Klaus Huber in Freiburg/Breisgau, 1973-76. While studying with Huber, he also studied musicology at the Universität Freiburg/Breisgau under Hans Heinrich Eggebrecht.

    He first visited the Internationalen Ferienkurse für Neue Musik, Darmstadt in 1970, and since 1978 has been an instructor there. From 1973-78 he was a teacher at the Musikhochschule Karlsruhe; he briefly taught in Munich in 1981 and since 1985 has been Professor für Komposition at the Musikhochschule Karlsruhe.

    His works are routinely performed around the world by great soloists and orchestras, and he now works off of a steady stream of commissions.


    Если кто захочет с ним связаться-

    Prof. Wolfgang Rihm, Kriegstrasse 109, D - 76135 Karlsruhe, Germany

    Fax: + 49 7218 4659

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