Гала-концерт, посвященный 125-летию Мет и 40-летию сотрудничества П.Доминго с Мет

[AlexAt]

Вот это программмочка...

Sunday, March 15, 2009, 6:00 pm

CONDUCTOR
James Levine

DIRECTOR
Phelim McDermott

ASSOCIATE DIRECTOR & SET DESIGNER
Julian Crouch

COSTUME DESIGNER
Catherine Zuber

This performance is being broadcast live on Metropolitan Opera Radio on SIRIUSchannel 78 and XMchannel 79, and streamed at metopera.org.

Gounod Faust
Faust opened the Metropolitan Opera’s first season on October 22, 1883. The costumes worn tonight are based on those from the original 1883 production.

Vin ou bière
Metropolitan Opera Chorus

Le veau d’or
Méphistophélès John Relyea

O Dieu! que de bijoux... Ah! je ris de me voir
Marguerite Angela Gheorghiu

Alerte! alerte!... Anges purs
Méphistophélès John Relyea
Marguerite Sondra Radvanovsky
Faust Roberto Alagna

Puccini La Fanciulla del West
This opera had its world premiere at the Met on December 10, 1910. Tonight’s sets and costumes are based on that first production, by David Belasco.

Ch’ella mi creda
Dick Johnson Plácido Domingo

Verdi Aida
The artists are wearing costumes inspired by those worn in the 1908–09 season by Emma Eames and Louise Homer.

Silenzio! Aida verso noi s’avanza!... Fu la sorte
Amneris Stephanie Blythe
Aida Maria Guleghina
Metropolitan Opera Chorus

Mussorgsky Boris Godunov
Boris Godunov received its U.S. premiere at the Met on March 19, 1913, in a production by Ivan Bilibine, whose costumes have been re-imagined for tonight’s gala.
Death of Boris
Boris John Tomlinson
Feodor Jesse Burnside Murray
Metropolitan Opera Chorus

Verdi Nabucco
The chorus wears costumes from the 2001 production, designed by Andreane Neofitou.

Va, pensiero
Metropolitan Opera Chorus

Bizet Carmen
Tonight’s performance features a set drawing by Rolf Gérard from the 1952 production by Tyrone Guthrie. Ms. Meier wears a costume inspired by Valentina’s for Rosa Ponselle in 1935.

C’est toi?... C’est moi... Carmen, il est temps encore
Frasquita Erin Morley
Carmen Waltraud Meier
Mercédès Kate Lindsey
Don José Roberto Alagna
Metropolitan Opera Chorus

Verdi Rigoletto
This performance recreates Eugene Berman’s set for Herbert Graf’s 1951 production. The costume is based on Enrico Caruso’s from 1903.

La donna è mobile
The Duke of Mantua Juan Diego Flórez

Verdi Don Carlo
Mr. Morris wears a costume based on Cesare Siepi’s from Margaret Webster’s 1950 production. The set is based on Rolf Gérard’s designs for that production.

Ella giammai m’amò
King Philip James Morris

R. Strauss Der Rosenkavalier
The U.S. premiere of this opera was at the Met on December 9, 1913. The sets and costumes are inspired by the designs of Hans Kautsky and Alfred Roller, respectively, created for the premiere.

Hab’ mir’s gelobt
Octavian Susanne Mentzer
The Marschallin Deborah Voigt
Sophie Lisette Oropesa

Mozart Don Giovanni
Mr. Kwiecien wears a costume inspired by one worn by Ezio Pinza.

Fin ch’han dal vino
Don Giovanni Mariusz Kwiecien

Wagner Parsifal
The Met presented the first staged performance of Parsifal outside the Bayreuth Festival on December 24, 1903. Tonight’s set and costumes are based on that production.

Ja, Wehe! Wehe!... Nur eine Waffe taugt
Amfortas Thomas Hampson
Parsifal Plácido Domingo
Metropolitan Opera Chorus

INTERMISSION

Mozart Die Zauberflöte
The animation is based on Marc Chagall’s painting The Triumph of Music.
Overture

Puccini Gianni Schicchi
Gianni Schicchi received its world premiere at the Met on December 14, 1918, as part of Il Trittico.

O mio babbino caro
Lauretta Maija Kovalevska

Tchaikovsky The Queen of Spades
Mr. Hvorostovsky wears a costume based on E.S. Freisinger’s design for the March 5, 1910, U.S. premiere of this opera at the Met.
Ya vas lyublyu
Yeletsky Dmitri Hvorostovsky

Verdi Simon Boccanegra
The U.S. premiere of this opera was given at the Met on January 28, 1932. The set, designed by Camillo Parravicini, and costumes are based on that production.

Dinne, perché in quest’eremo... Figlia, a tal nome io palpito
Amelia Grimaldi Angela Gheorghiu
Simon Boccanegra Plácido Domingo

Wagner Siegfried
The Met performed the first Ring cycle in America in March 1889. Ms. Voigt’s costume is based on one designed for Lilli Lehmann for the 1889 production.

Ewig war ich
Brünnhilde Deborah Voigt
Siegfried Ben Heppner

The following sequence is based on Franco Zeffirelli’s set drawings, costumes, and productions.
Puccini La Bohème

Che gelida manina
Rodolfo Joseph Calleja

Puccini Tosca

E lucevan le stelle
Cavaradossi Aleksandrs Antonenko

Puccini Turandot

Nessun dorma
Calaf Marcello Giordani

Verdi LaTraviata
Ms. Dessay’s costume is based on one designed by Jonel Jorgulesco for a 1935 production, worn by Bidú Sayão in 1937.

È strano!... Ah, fors’è lui… Sempre libera
Violetta Natalie Dessay
Alfredo Joseph Calleja

Verdi Otello
This performance is inspired by the Met’s 1909 production, which had sets by Vittorio Rota, Mario Sala, and Angelo Parravicini, and costumes by Caramba.

Niun mi tema
Otello Plácido Domingo

Korngold Die Tote Stadt
Ms. Fleming’s costume is based on one created for Maria Jeritza for the November 19, 1921, U.S. premiere of this opera at the Met.

Glück, das mir verblieb
Marietta Renée Fleming

Wagner DAS RHEINGOLD
Costumes based on those designed for the 1889 production.
Zur Burg führt die Brücke... Abendlich strahlt der Sonne Auge

Froh Garrett Sorenson
Wotan James Morris
Fricka Yvonne Naef
Loge Kim Begley
Rhinemaidens Kate Lindsey, Tamara Mumford, and Lisette Oropesa

[Sasha.E.Zhur]

Да...Там где поёт Георгиу - не поёт Нетребко...Шутка!

[Справочное Бюро]

Хорошо бы это записали на ДВД. А то там такие цены на билеты, что простые смертные вряд ли туда могут попасть.
Здорово, что в костюмах и декорациях да еще и исторических, а не просто отчетно-показательный концерт.

[AlexAt]

Да...Там где поёт Георгиу - не поёт Нетребко...Шутка!

Вы тоже обратили внимание?
У Нетребки сейчас битва за Вену

[AlexAt]

Хорошо бы это записали на ДВД. А то там такие цены на билеты, что простые смертные вряд ли туда могут попасть.
Здорово, что в костюмах и декорациях да еще и исторических, а не просто отчетно-показательный концерт.

да уж... под это дело даже полотна Шагала заложены
должны записать непременно... сейчас пока толко сидюшечка к 125 летию с хай-лайтс вышла...
ну цены там от 125 USD... вполне-вполне для такого концерта... партер (Orchestra), конечно, уже по 1883 (юбилейный такой ценничек) USD...

[Sasha.E.Zhur]

Да это на поверхности лежит: законы шоу-биза! Вот самое время устроить "войну примадонн". Мы хоть развлечёмся.

[AlexAt]

Да это на поверхности лежит: законы шоу-биза! Вот самое время устроить "войну примадонн". Мы хоть развлечёмся.

нет уж не надо: худой мир лучше доброй ссоры
Нетребко изначально не вписывалась со своим графиком в этот концерт.
к тому же они с Вийазоном "отмечали" 40-летие переезда Мет в Линкольн-центр: надо совесть иметь, в конце концов

[Sasha.E.Zhur]

Ну тады - ланна...

[Справочное Бюро]

Несколько аудиоклипов с концерта
http://www.youtube.com/results?searc..._date_uploaded

[Vasilisa]

Судя по отрывкам, хороший был концерт