Контратеноры

[Monstera]

...и еще милый пустячок - редкая испанская опера

Уважаемый JOHNCA, если уж Ваша щедрость дошла аж до целых опер, но распространите ли Вы свою любезность еще и на какое-нибудь либретто - хотя бы кратенько? С испанским у меня как-то не очень , а посмотреть трехчасовую оперу, не понимая смысла - это нужен нетривиальный уровень мазохизма При всем уважении к Жарусски...

[JOHNCA]

Уважаемый JOHNCA, если уж Ваша щедрость дошла аж до целых опер, но распространите ли Вы свою любезность еще и на какое-нибудь либретто - хотя бы кратенько? С испанским у меня как-то не очень , а посмотреть трехчасовую оперу, не понимая смысла - это нужен нетривиальный уровень мазохизма При всем уважении к Жарусски...

О...сорри...у меня есть либретто только на английском...вас устроит ?
Тем более, что опера на староиспанском и там даже при хорошем знании современного испанского мало что поймешь....
Искренне ваш.
J.

[Monstera]

О...сорри...у меня есть либретто только на английском...вас устроит ?

На английском - годится

[JOHNCA]

На английском - годится

...чтож....вы сами этого хотели...

Act one.

Scene one:

Aura was taken by surprise in the arms of the shepherd Er3;strato, leading Diana, the eternal enemy of love, to sentence her to death. Procris, Aura’s best friend, and the nymphs take her prisoner to Diana’s temple, intending to kill her. Aura complains and curses Procris, asking Venus to make her suffer for love, like her. Aura’s laments are heard by a young foreigner, C3;falo, who was on a trip through the mountains with his servant Clar7;n. He intervenes between the nymphs and Procris to save Aura from death. His intervention gives Venus time to take Aura to heaven, transformed into air.
Furious, Diana plans to kill the intruder, but just as she prepares to launch her spear, her hand trembles and she kills the sacred deer. The defeated goddess departs, overcome by an unidentified emotion. C3;falo attempts to carry off the spear as a trophy, but Procris tries to prevent him from doing so, wounding her in one of her hands with the blade of his spear. On seeing the blood, she feels overcome by a strange sensation and flees in a state of terror.

Scene two:

Er3;strato goes off in search of the gardener, R0;stico, to learn what has become of Aura. When the latter tells him of her tragic fate, Er3;strato becomes furious. Diana questions Floreta, R0;stico’s wife, as to who opened the sacred garden gate to the nymph’s lover, and Floreta confesses it was her husband. Diana thus punishes him, converting him into a series of different wild animals. Without realising his appearance has changed, R0;stico tries to approach his wife, who become frightened, as does Procris when she comes to her aid. Hearing their cries, C3;falo and Clar7;n finally approach, chasing off the disorientated and unrecognisable R0;stico. C3;falo and Procris meet again, while Clar7;n flirts with Floreta. In revenge, Aura infuses a “soft whift of love” over C3;falo and Procris, making them fall in love.


Act two.

Scene one:

A chorus of country folk visit Diana’s temple bearing offerings under a full March moon. Among them is Er3;strato, who is planning his revenge, and C3;falo and Clar7;n, who also join the pilgrimage, bearing a bouquet of flowers that Clar7;n had gathered. He also captures R0;stico, who appears in the form of a dog.

Scene two:

Diana and her nymphs prepare to receive the offerings condemning love. Er3;strato gives her a bow, C3;falo gives her the flowers and they exchange a few ambiguous words, while Clar7;n offers her the dog, who is really R0;stico. Aura, invisible to all, descends and crosses the stage singing the praises of love. Her words reverberate throughout the temple, the sacrilege enfuriating Diana, who orders the closure of the temple and departs with her nymphs. All leave except C3;falo, who is left alone with Procris and confesses his love for her. She tells him this feeling is unknown to her, but the invisible Aura infuses her with the “soft whift of love”.

Scene three:

Floreta meets Clar7;n and R0;stico attacks them. C3;falo comes to Clar7;n’s aid, and they both see a blazing light in the distance and hear cries of “Fire!” It is Er3;strato, taking his vengeance by setting fire to Diana’s temple. From the heavens, Aura fuels the fire with strong winds.

Scene four:

C3;falo comes to the aid of the victims. Amid the ruins he finds Procris, who is about the faint. Making the most of his opportunity, he flees with her in his arms.


Act three.

Scene one:

Diana commends her vengeance to the three furies: Mejera will force Er3;strato to flee from mankind, pursued like a “human beast”. Alecto will instill the asp of jealousy in Procris and Tesifone will perturb C3;falo’s mind. By contrast, she decides to put an end to R0;stico’s punishment.

Scene two:

Procris is now C3;falo’s contented spouse, although she complains of his constant absences due to his love of hunting. When C3;falo goes out in search of an “unknown beast” that is terrorising the locals, Procris question Clar7;n about her husband, learning that he goes to a hidden place in the thick forest, where voices calling out “Laura” can be heard. When Procris is alone with Floreta, an invisible Alecto enters, arousing suspicions of jealousy. According to Alecto, C3;falo goes off in search of a new love. Who can that “Laura” be, if not Aura herself, finally taking her revenge? Floreta replies that Aura is nothing but air, but this does not ease Procris, who pronounces the following words: “if the air brings jealousy, jealousy, even of the air, kills”.

Scene three:

Er3;strato, dressed in furs and with a non-human appearance, believes the echos of the chorus repeating Procris’s words are referring to him as the lover of someone who is only air. Crazily searching for these voices, he comes upon R0;stico, who has reverted to his human form, and is frightened by this vision of Er3;strato.
Alone in the forest, C3;falo confesses to Clar7;n that he has come to the hideout in search of the intoxicating breeze sent by Aura, whose absent voice confirms this. Bidding farewell to Clar7;n, he continues on his search. Meanwhile, Procris, hidden away with Floreta, has heard part of her husband said, believing her suspicions to be confirmed. She decides to follow him to find out who is Laura.
R0;stico sees his wife approaching with Clar7;n, and believing he is still an animal, tries to frighten them. A chorus of hunters cry out “beware of the beast” and Clar7;n and Floreta flee in fear while R0;stico is convinced it is becauase of him.
C3;falo invokes Aura and is increasing affected by her narcotic perfumes. The pursued “beast”, Er3;strato, appears. He is almost unrecognizable as a man. C3;falo prepares to kill him but Er3;strato begs him not to spill human blood and Tesifone intervenes, further confusing C3;falo. Er3;strato throws himself off the rocks and Aura carries him off into the air. C3;falo continues to look for him in the forest. Procris, who remained hidden, wants to come out and noticing the movement C3;falo throws his spear. As Aura begins to regret her vengeance, the knight draws nearer to finish off the beast, discovering a moribund Procris. A tender dialogue takes place between them. She consoles him, admitting that she would prefer “to die by better arms” than jealousy. Even though they were of Aura, transformed into air: “jealousy, even of the air, kills”. Procris dies.
Tesifone, Alecto and Megera invoke Diana, who in turn calls the nymphs to celebrate her triumph. All sing the hymn in praise of the goddess, when they are interrupted by Aura from above: by the intercession of Aura and Venus, Jupiter commands that “the tragedy be lessened, without the horror of tragedy”. C3;falo and Procris pass on to an everlasting life in the heavens.

*P.S. Пардон, я не знаю, как эти смешные знаки убрать, которые вместо некоторых букв появились...Скорее всего, клавиатуры не соответствуют.*

[JOHNCA]

Ой, как же я не поделился вот этим сокровищем!!!

Philippe Jaroussky
J.-Ch.Spinosi et Ensemble Matheus

Festival Jura 2007 live


A.Vivaldi "La fida ninfa" La Sinfonia (1-2-3 movements.)

A. Vivaldi "Stabat Mater "!!! ( та самая, что пела мадам Лемье в записи на диске, где Филипп поет "Nisi Dominus")

-Stabat Mater Dolorosa
-Cojus animam gementem
-O quam tristis et afficta
-Quis est homo qui non fieret
-Quis non posset contrisari
-Pro peccatis suae gentis
-Eja Mater,fons amoris
-Fac ut ardeat cor meum
-Amen


http://narod.ru/disk/2549789000/Jaroussky_Jura_2007%20(copy%202).mp3.html

[mitka]

Ой, как же я не поделился вот этим сокровищем!!!

Philippe Jaroussky
J.-Ch.Spinosi et Ensemble Matheus

Festival Jura 2007 live


A.Vivaldi "La fida ninfa" La Sinfonia (1-2-3 movements.)

A. Vivaldi "Stabat Mater "!!! ( та самая, что пела мадам Лемье в записи на диске, где Филипп поет "Nisi Dominus")

-Stabat Mater Dolorosa
-Cojus animam gementem
-O quam tristis et afficta
-Quis est homo qui non fieret
-Quis non posset contrisari
-Pro peccatis suae gentis
-Eja Mater,fons amoris
-Fac ut ardeat cor meum
-Amen


http://narod.ru/disk/2549789000/Jaroussky_Jura_2007%20(copy%202).mp3.html

А иде ж вторая половина? Там вроде как потом концерт Телемана, этот самый Низи Доминус, Соль да те, и на бис Нель профондо чеко мондо.

[JOHNCA]

А иде ж вторая половина? Там вроде как потом концерт Телемана, этот самый Низи Доминус, Соль да те, и на бис Нель профондо чеко мондо.

А не надо быть таким жадным и нетерпеливым! Это раз.
А во-вторых, почему бы вам не поделиться с народом тоже? Ну, хотя бы вот Доминусом ? Бе бе беее....

Вот пока вам

Philippe Jaroussky
Nuria Rial
Ensemble Artaserse

G.-F. Händel "Aminta e Fillide" Théâtre du Châtelet Paris, 2.3. 2008 live

http://narod.ru/disk/2553643000/Amin...llide.mp3.html


Encores!
http://narod.ru/disk/2553800000/Amin...ncore.mp3.html

[mitka]

А не надо быть таким жадным и нетерпеливым! Это раз.
А во-вторых, почему бы вам не поделиться с народом тоже? Ну, хотя бы вот Доминусом ? Бе бе беее....

Справедливо. Вот, по-моему линк еще работает:

http://rapidshare.com/files/40868321/Jaroussky_Jura_2007.mp3

Телеман - Concerto pour flute a bec, flute traversiere, cordes et basse continue, en mi mineur

Кстати, оркестровые номера на концерте "В честь Карестини":

1. Корелли Кончерто гроссо № 3 до минор.
5. Хассе. Концерт для флейты, струнных и бассо континуо ор. 3 № 7.
8. Вивальди. Концерт ремажор RV 208 Великий Могол
11. Гендель Кончерто гроссо ор 6 № 2 фа мажор.

[Monstera]

(робко) Не, я не против Жарусски, даже в таких количествах , но, может, случаем, кто и Шоллем поделится, а?

[Исхэ]

А что именно Шолля нужно? Вообще Шолля в сети найти - мягко говоря, не проблема: только давеча выкладывали свежие записи в ру_классикал.